Tracks:
Dream Team
Botox
Not Ready Yet
Limousine Running
Something More
Poor Boy
Baggage Claim
Sailor
Worst Crime
Mother’s Daughter
Daddy Come Pick Me Up
Where are you now?
Boy Into A Man
This is a generous 13 track album by Auckland born Jamie. This the 29 year old’s 4th studio album, and it is brilliant.
Produced by Aussie Nash Chambers in Nashville for ABC music, it certainly as a widespread coverage!
With Dan Dugmore, Jedd Hughes, Dennis Crouch, Shawn Fichter, Jerry Roe, Jimmy Wallace, Tony Lucido, Ross Holmes, McCrary Sisters, Robert Ellis, Erin Rae and Tom Busby on board for the ride, it is a trip.
By looking at the titles, you will gather that there is a strong message of family in a majority of them.
Family had a big influence on Jamie’s musical tastes when she was young and there is a strong pull towards folk/Celtic/Country.
Her voice is gently lilting with a slight twang when needed. There are some toe tappers like Daddy Come Pick Me Up and a lot of sweet refrains.
When I heard Not Ready Yet I must admit it was the first time that I had heard of Jamie. I bought this album on the strength of that song, and I have been more than justified for the risk that I took.
If you know the Chambers family, they are always going to zero in on a quality country artist who has a traditional leaning.
Her voice is very young and sweet, not that 29 is old, but she sounds much younger. The lyrics and the polish are from someone much older and wiser than 29, so it is an interesting mix.
Jamie could have very easily fitted into the 60’s , early 70’s folk music scene, which is probably why I like her so much.
Dream Team is a good way to open the album with a slightly more raunchy guitar sound and it sets up a subtle theme for the album. Botox is an interesting song to add to the mix, with a different style and lyrics which are finger pointing and relevant to today’s world.
The aforementioned Not Ready Yet is next and after hearing the whole album, it is still one of my favourites but there are others.
Sailor, Mother’s Daughter and Where are you now and Poor Boy are way up there too.
There is something different about every song – mood, style, rhythm – but they are all tied together with a theme and amazing vocals.
This album crosses genres, though the heart of it is country folk. The tracks go fast but they are mainly sweet and slow and at times, hauntingly beautiful.
One of the albums of the year so far. You will say to yourself, that sounds like someone but I can’t quite put my finger on it.
I think that is because it is familiar but fresh. There’s some Harris, Crystal Gayle and Moorer there but this gal is setting her own path with some clever lyrics and a great promise of more to come.
Bravo.